curdle

Miss Snevellicci's modest double-knock was answered by a foot-boy, who, in reply to her inquiry whether Mrs Curdle was at home, opened his eyes very wide, grinned very much, and said he didn't know, but he'd inquire.

Now, Mrs Curdle was supposed, by those who were best informed on such points, to possess quite the London taste in matters relating to literature and the drama; and as to Mr Curdle, he had written a pamphlet of sixty-four pages, post octavo, on the character of the Nurse's deceased husband in Romeo and Juliet, with an inquiry whether he really had been a 'merry man' in his lifetime, or whether it was merely his widow's affectionate partiality that induced her so to report him.

'Well, Miss Snevellicci,' said Mrs Curdle, entering the parlour,

Miss Snevellicci made a graceful obeisance, and hoped Mrs Curdle was well, as also Mr Curdle, who at the same time appeared.

I really don't know what to say,' replied Mrs Curdle. 'It's not as if the theatre was in its high and palmy days--you needn't stand, Miss Snevellicci--the drama is gone, perfectly gone.'

'As an exquisite embodiment of the poet's visions, and a realisation of human intellectuality, gilding with refulgent light our dreamy moments, and laying open a new and magic world before the mental eye, the drama is gone, perfectly gone,' said Mr Curdle.

'What man is there, now living, who can present before us all those changing and prismatic colours with which the character of Hamlet is invested?' exclaimed Mrs Curdle.

'What man indeed--upon the stage,' said Mr Curdle, with a small reservation in favour of himself.

Quite overcome by these dismal reflections, Mr and Mrs Curdle sighed, and sat for some short time without speaking.

'I hope you have preserved the unities, sir?' said Mr Curdle.