In all of Burial's music there lurks this intense desire to be a part of something that one is unable to be, to realise instead of elegise; a desire that, itself unrealisable, persists self-referentially, becomes incorporated.
And partly because English public schools continued the tradition of Latin verse translation throughout the nineteenth century, as noted in Kipling's Stalky and Co.: "I have seen M'Turk being hounded up the stairs to elegise the Elegy in a Churchyard." For those who matured in this tradition, the temptation to compose in Latin undoubtedly returned in adult life as well.