golem

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go·lem

 (gō′ləm)
n.
In Jewish folklore, an artificially created human supernaturally endowed with life.

[Hebrew gōlem, lump, clod, fool, from gālam, to wrap up; see glm in Semitic roots.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

golem

(ˈɡəʊlɛm)
n
(Non-European Myth & Legend) (in Jewish legend) an artificially created human being brought to life by supernatural means
[from Yiddish goylem, from Hebrew gōlem formless thing]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

go•lem

(ˈgoʊ ləm, -lɛm)

n.
(in Jewish folklore) a figure artificially constructed in the form of a human being and endowed with life.
[1895–1900; (< Yiddish goylem) < Hebrew gōlem shapeless thing]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.golem - (Jewish folklore) an artificially created human being that is given life by supernatural meansgolem - (Jewish folklore) an artificially created human being that is given life by supernatural means
folklore - the unwritten lore (stories and proverbs and riddles and songs) of a culture
Judaism - the monotheistic religion of the Jews having its spiritual and ethical principles embodied chiefly in the Torah and in the Talmud
mythical being - an imaginary being of myth or fable
2.golem - a mechanism that can move automaticallygolem - a mechanism that can move automatically
android, humanoid, mechanical man - an automaton that resembles a human being
mechanism - device consisting of a piece of machinery; has moving parts that perform some function
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
Translations
References in periodicals archive ?
Barzilai argues that in the years immediately preceding and following World War I, we met a spate of new modern golems, from Gustav Meyrink's Der Golem (1915) to three different cinematic adaptations of the golem story and several Jewish-authored texts, including the long poem by H.
Her article on teaching about golems is part of the forthcoming MLA anthology on teaching options in Jewish American literature, edited by Roberta Rosenberg and Rachel Rubinstein.
Our tradition is full of stories of rabbis creating humanoids, more popularly known as golems. The most famous was created by the 16th-century Rabbi Judah Loew of Prague to protect the Jewish community from blood libels.
The book opens with a mysterious character in a parka, sunglasses, and ski mask, who notes what could be Entropy's theme: "My father always told me to 'mind the four M's' you mustn't mix and match mythologies." The character, later revealed to be a golem, is soon visited by an angel who makes another golem, and the two golems proceed on a bizarre journey to discover the truth about creation.
This could be challenging to players the first time they enter the world of "Golem," but Griesemer promises that once they've mastered it, they can "move effortlessly through the abandoned ruins of the Endless City, exploring the large open environment full of mysteries, hidden shortcuts and dangerous enemy golems."
"It would be impossible in this space to do justice to Wecker's humongous research into golems and jinnis and what lower Manhattan was like before World War I, but, suffice it to say, she has done her homework.
Golems all, abandoning their God to placate their masters, the ruling secular Golems that have created a state of fear instead of a state for Jews, a state of oppression and indifference, a state of molded minds lacking human sympathy, a state willing to use its only friend in the community of nations for its own ends turning its representatives into pliant, obedient, mindless, soulless clay forms as heedless of the weak as their masters.
Leadbeater on Occult Chemistry I (1908), The Coming Race (1874) by Edward Bulwer-Lytton, Martin Heidegger's Die Technik and die Kehre (The Question Concerning Technology) (1954), and an anthology titled Kunstliche Menschen: Golems, Homunculi, Androiden und lebende Statuen (Artificial Humans: Golems, Homunculi, Androids and Living Statues) (1971).
(10) Magical abilities were common, including the ability to create very basic golems.
Dee, and golems have destroyed his bookstore to steal the magic-filled Codex.
Scholem told the story humorously, making many witty comparisons between the clay golem of Prague and the new golems of transistors and wires.