For instance, in Arthur Penn's "Bonnie and Clyde" (1967), when the title characters go to the movies after a botched robbery, their reactions am a study in contrast Bonnie (Faye Dunaway) is engrossed in the Depression-era escapism of the "We're in the Money" number from Mervyn LeRoy's "Gold Diggers of 1933" (1933), but Clyde (Warren Beatty)
cryingly struggles with the fact he has just killed a man.
During her individual counseling sessions, #B
cryingly gave catharsis of accumulated negative feelings for sex life, in which the husband only used her body for release, with no atmosphere or pleasure.