luminism

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lu·mi·nism

also Lu·mi·nism  (lo͞o′mə-nĭz′əm)
n.
A style of 19th-century American landscape painting concerned especially with the meticulous rendering of atmospheric light and the perceived effects of that light on depicted objects.

[Latin lūmen, lūmin-, light; see lumen + -ism.]

lu′mi·nist adj. & n.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

luminism

1. a movement in painting concerned with effects of light, especially the use of broken color in its full intensity with a minimum of shadow effects, applied especially to many Impressionist and Pointillist artists.
2. a technique of painting employing minute modulations of tone, developed in America (1825-65) by John Singer Sargent, Mary Cassatt, William Merritt Chase, and others. — luminist, n.
See also: Art
-Ologies & -Isms. Copyright 2008 The Gale Group, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.luminism - an artistic movement in the United States that was derived from the Hudson River school; active from 1850 to 1870; painted realistic landscapes in a style that pictured atmospheric light and the use of aerial perspective
art movement, artistic movement - a group of artists who agree on general principles
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
Translations
luminisme
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A self described "Luminist", Kinkade likes to paint with soft edges, a warm palette and an overall sense of light.
This light is enough to reveal us as we are, bound together, in the warmth and good light of habitation, in the good and fleshly aliveness of us." In Source, Dutch still lifes have given way to "Manhattan: Luminism." The luminist painters were a small 19th-century school of landscape artists who tried to recreate that special American light of the Eastern seaboard, the salt marshes of the Chesapeake, the cranberry bogs of New England, the hazy fields of newly mowed meadow in which objects are, in Doty's words, "edgeless, o ne bit!
There seems little point in exploring the origins of cinema for the progenitor of the Luminist sensibility evident in more recent, independent films.
A certain kind of 19th-century American landscape painting, known as "luminist," perfectly captures the way I saw the landscape around me when I was growing up.
Transcendentalism was being nationally reappreciated in the years after the turn of the century and Piazzoni, along with many other California artists, especially those categorizing their paintings as "Luminist," contributed to America's transcendental legacy in writing and landscape painting.
Scale: I think of the little men and beasts set in the foreground of American luminist paintings, in the West of Albert Bierstadt and Worthington Whittredge; and of Emerson's "The health of the eye seems to demand a horizon.