nonart

nonart

(ˌnɒnˈɑːt) art
n
(Art Terms) something that does not constitute art or does not conform to conventional ideas of art
adj
(Art Terms) not related to art or accepted forms of art
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
References in periodicals archive ?
Pop art has become synonymous with Warhol and his time, and Colacello believes that the industry was affected by Warhol's odd, bright creations, which made room for nonart academics to take an interest in the scene.
In this video, two teachers and four nonart major students spoke about the positive impact of art books on their lives.
Nonart teachers who integrate art experiences in the classroom allow children with different learning styles and abilities to participate in their own learning and create inclusive environments.
The mean test scores were 7.16 in ART singletons, 6.74 in nonART singletons, and 7.21 in ART twins.
The new learning platform, introduced in 2012, offers courses in nonart and design subjects to complement the outstanding creative provision already in place at the specialist art college.
As Deleuze and Guattari put it, "Philosophy needs a nonphilosophy that comprehends it; it needs a nonphilosophical comprehension just as art needs nonart and science needs nonscience." All three domains partake of chaos, and it is from chaos that they all extract "the shadow of the 'people to come' in the form that art, but also philosophy and science, summon forth: mass-people, world-people, brain-people, chaos-people--nonthinking thought that lodges in the three" (What Is Philosophy?, 218).
However, it is not clear whether there is ever a difference between art and nonart, except by each person's unique standard.
curatorial project Former West in Utrecht, the Netherlands, last September, theorist and curator Stephen Wright offered sweeping "escapologist" observations on the need to radically dislocate art from its current place in the world.' Arguing that art's complicity and heteronomy leave it no meaningful, transformative function, he encouraged artists to abandon the institutional theory of art, which is based on the assumption of an ontological difference between what is denominated as art, on the one hand, and nonart, on the other.
Since Davila's work emerged in the 1980s in the wake of notions of postmodernism, it is perhaps worth recalling Ranciere reminding us that: 'If there is a political question in contemporary art, it will not be grasped in terms of a modern/postmodern opposition' but 'through an analysis of the metamorphoses of [...] the politics founded on the play of the exchanges and displacements between the art world and that of nonart' (Ranciere, 2009b: 51).
But contemporary aesthetics has brought these concepts under intense scrutiny and called them into question as defining terms The two most influential factors in contemporary speculations in aesthetics have been (i) the Wittgensteinian philosophy of language and his theory of family resemblances, arguing against the possibility of definition, and (ii) the emergence of nonart, anti-art, or conceptual art, which presents a stumling block to any definition advanced of art by denying stability to that concept--every example given of art being faced with a counterexample (driftwood or Duchamp's readymades).
Consumption is limited to the sum of income from the art sector, [w.sub.1](s)L, income from the nonart sector (which we will call the manufacturing sector), [w.sub.2](1 - L), and lump-sum or non-wage income y.